Shueh-li Ong’s new album, “MissOriented Metaphor,” once again confirms the talent of the Australian-born, Singaporean origins Nashville musician. The possible initial feeling of disorientation in front of the kaleidoscope of sensations evoked by this work is soon dispelled by the songs’ compositional solidity and the album’s internal coherence.
An interview with theremin player and teacher Kip Rosser about the discovery of Juliet Shaw’s archive and custom theremin (probably built by Léon Theremin himself).
Eric Ross is a composer, performer, multi-instrumentalist, and theremin player. He has written countless scores in his long career, including many pages of original music for the theremin. He has presented rich multimedia performances worldwide, mixing music, video, and computer art and dance. And he has released several recordings. In this interview, Eric tells us about his long musical journey.
Lydia Kavina is one of the greatest thereminists of all time. The last protégé of Léon Theremin, she started studying the theremin at the age of nine. She played a fundamental role in the so-called “renaissance of the theremin,” performing all over the world, making recordings, participating in film soundtracks, writing original music for theremin, and teaching the instrument to new generations of thereminists. I had the pleasure of exchanging a few words with her.
The latest release of Timeless Sonic Factory, the creature of long-time thereminist Maurizio “ErMan” Mansueti, is a beautiful, intense, and captivating theremin concept album. In addition to putting the theremin at center stage, it shows it in a new light.
Zenaide Hanenfeldt was one of Leon Theremin’s first associates in the United States. She played a leading role, from 1929 to 1934, in the American adventure of Leon Theremin, appearing in some of the most important theremin events of the period and experiencing a brief period of intense and ephemeral celebrity as a theremin diva. Later, she almost disappeared into oblivion, confined to stingy annotations in the history of the theremin. Let’s find out a little more about her.
Katica Illényi is an artist of many talents. She plays the violin, sings, tap dances, and plays the theremin. We had the pleasure of asking her some questions.
Although Czech composer Bohuslav Martinů does not enjoy the same fame as other composers of the same period, he certainly has a prominent place in twentieth-century music. He is also well known by theremin enthusiasts thanks to Fantasia for theremin, oboe, piano, and string quartet, the composition commissioned to him in 1944 by Lucie Bigelow Rosen. Let’s try to understand a little more about him and follow the path that led him from a Moravian village to Manhattan, where the fortuitous meeting took place.
An interview with polystrumentist, singer and composer Shueh-li Ong. “Music From Another Land” is not the typical “theremin album” you’d expect from musicians like Lydia Kavina, Pamelia Kurstin or Peter Pringle, to name a few. Although there is a good amount of well-played theremin, it just doesn’t play the leading role. In fact, the feeling […]
The following essay was written by Steve J. Sherman, Clara Rockmore’s great-nephew and Nadia Reisenberg’s grandson. As the title suggests, it provides us with an in-depth account of Clara Rockmore’s life during her last decade, up until her death in 1998, and includes a detailed chapter devoted to the controversial summer of 1997 and the […]
