…the Electronica context. But what does that mean? Does it have to do with your personal history and/or artistic forming? Is it something only related to your last work or…
…return to USSR and the “mailboxes” period with the futuristic bugs realized for the insatiable ear of the KGB. Not wanting to strictly follow the approach of merely biographical texts…
…up with appropriate rhythm tracks. (Text by Dana Countryman) David Chazam lives in Bordeaux, France. Apart from appearing as a DJ, organizing music events and releasing solo work he is…
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…your opinion about the possibilities of the theremin in the microtonal context and the use you made of them as a composer? Kavina: In theory, the theremin can play an…
…the theremin takes center stage, starting a melancholy wandering along the geometric textures of synths and delay lines, which, like animated arabesques on the two sides of the stereophonic image,…
…modes of expression, Baroque and electronic.” It is their contention that no combination of live instruments could achieve the clarity of texture of this recording. “At last, every note and…
…cannot put them into words. There are rainbows of textures, rainbows of moods and feelings too. The first moment I heard the timbre of the oboe d’amore, I knew that…
…in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Scriabin’s ten piano sonatas, however, are more original, employing very unusual harmonies and textures….