…cannot put them into words. There are rainbows of textures, rainbows of moods and feelings too. The first moment I heard the timbre of the oboe d’amore, I knew that…
…in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Scriabin’s ten piano sonatas, however, are more original, employing very unusual harmonies and textures….
…analyse vast amounts of text and data. It helps organisations monitor news, track reputation, and gain strategic insights through advanced natural language processing. Key Highlights: Strong capabilities in NLP and…
…extended variety of tones, semitones, and quarter-tones. This variety of tones will not remove the characteristic tone from each noise but will amplify only its texture or extension. The practical…
…– conference papers: Tribute to Nikolai Korndorf Brent Lee Timbral and Textural Progressions in Nikolai Korndorf’s The Smile of Maud Lewis Elena Dubinets Nikolai Korndorf and Instrumental Theatre 12:30 – 1:00 – Composer’s seminar: Vladimir…
…custom theremin in 1989. My comments are in small text. Thanks to Bob Moog for his hand traced Rockmore schematic seen on Jason’s web pages. It continues to be a…
…The idea for these early releases was to put my work with the theremin especially, in a more familiar musical context for those new to the instrument and my production…
…than twenty countries to an estimated audience of 100 million people. For the occasion, Bernstein reworded Friedrich Schiller’s text of Ode to Joy, substituting the word “freedom” (Freiheit) for “joy”…






